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臺北文創記憶中心｜2024 理想居所 - 影劇空間插畫
TNH Creative Center (TNHCC)｜2024 Ideal Living Lab - Illustration for Theater & Film Space - - - 臺灣 \ 理想居所 \ 影劇 \ 插畫 \ 設計
Taiwan \ Ideal Living Lab \ Theater & Film \ Illustration \ Design |
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2024臺北文創記憶中心以居住為題，透過解構居住的不同面向，看見居所與社會的脈動連結、發現個人和空間的相互映射、比較不同世代間的家庭關係，探索關於「理想居所」的多樣選項；並透過一次次的提問與體驗，讓觀者在「選擇」的過程，以自身為尺度 ，描繪居所和生活的理想輪廓。
很高興也慶幸受到秋刀魚雜誌與Plan b的賞識與來信邀約，希望透過插畫形式體現5部影劇中主角們的居住空間，包含《月薪嬌妻》、《熟男不結婚》、《我可能不會愛你》、《HIStory是非》、《有生之年》，藉此解析大眾熟悉影劇作品的居所，深入探討本次有關「居住」的展覽主旨。 這次四寶們分配到的工作就是擔任好稱職的綠葉和彩蛋，若有機會到展覽現場，逛到5部影劇的居住空間插畫，你們一定會看到四寶們很自然地出沒在插畫中的任何角落，讓整個居住空間氛圍變得更加有趣輕鬆～ 希望這次充滿挑戰但又有趣的系列作品，能讓大家看得開心，同時也回憶起當初認真追劇的點點滴滴！ In 2024, TNH Creative Center (TNHCC) presents Ideal Living Lab, an exhibition themed around the idea of “living.” By deconstructing various aspects of dwelling, the exhibition reveals the dynamic relationship between living spaces and society, uncovers how individuals reflect themselves through space, and compares intergenerational family relationships. Through a process of questioning and experience, visitors are encouraged to make their own choices and, using themselves as a reference point, shape their ideal vision of home and life.
I’m truly honored and grateful to have been invited by QDYMAG and PLAN B to take part in this project. Through illustration, I aimed to capture the living environments of characters from five well-known TV dramas: 《月薪嬌妻》We Married as a Job 《熟男不結婚》The Man Who Can't Get Married 《我可能不會愛你》In Time with You 《HIStory 是非》HIStory 《有生之年》Living By illustrating these familiar fictional homes, the work explores how domestic spaces reflect the exhibition’s core theme of “living.” In this project, the POPO take on a supporting role as playful Easter eggs. If you visit the exhibition and explore the illustrated rooms from these five dramas, you’re sure to spot the four POPO characters subtly embedded throughout the scenes—making each space feel more lighthearted and fun. I hope this challenging yet delightful series brings joy to everyone who sees it, and helps stir up some fond memories of the moments we once spent wholeheartedly following these shows. |
